 |
| |
 |
| |
 |
| |
 |
| |
 |
| |
 |
| |
 |
| |
 |
| |
 |
| |
 |
| |
 |
| |
 |
| |
 |
| |
 |
| |
 |
| |
 |
| |
 |
Hindustani Classical vocal - Dhrupad
Uday Bhawalkar
Uday Bhawalkar
 |  |  |  |  |  |
Uday Bhawalkar: Raga Bhoop
Manik Munde (Pakhawaj)
Sagar Morankar & Ashish Bhade (Tanpuras)
CD# UB002
Duration: 69' 30"
Recorded live at Rama Govind, Pune. Recording
Date: 23rd Sept 2003.
Recording by Anil Navkal
Manik Munde (Pakhawaj)
Sagar Morankar & Ashish Bhade (Tanpuras)
CD# UB002
Duration: 69' 30"
Recorded live at Rama Govind, Pune. Recording
Date: 23rd Sept 2003.
Recording by Anil Navkal
Uday Bhawalkar: Raga Multani
Manik Munde (Pakhawaj)
Rajani Kapse & Saylee Shintre (Tanpuras)
CD# UB003
Duration: 64' 40"
Live recording from a concert organised by Bade
Gulam Ali Khan Yadgar Sabha at Mumbai.
Recording Date: 16th February 2001.
Manik Munde (Pakhawaj)
Rajani Kapse & Saylee Shintre (Tanpuras)
CD# UB003
Duration: 64' 40"
Live recording from a concert organised by Bade
Gulam Ali Khan Yadgar Sabha at Mumbai.
Recording Date: 16th February 2001.
In 1985 he gave his first public performance at Bhopal. Since then he has graced many prominent music festivals in India and abroad. He has
been active in Spic Macay programs for over 16 years. His international career began in 1990 and has performed in Europe, USA, Canada and
Mexico including world music festivals in England (WOMAD) and Belgium (SFINKS). Uday has collaborated with artists from other disciplines
and cultures including the contemporary dancer Astad Deboo, Ensemble Moderne in Germany and professional musicians from Spain and
USA. Universities in Europe and USA have hosted his workshops. Additionally, he has contributed to the soundtracks of International Art films
including Mani Kaul’s Cloud Door, Arun Khopkar's "Rasik Priya-Lok Priya" Aparna Sen’s Mr & Mrs Iyer and Amol Palekar’s Anahat.
To know more about Dhrupad and Uday Bhawalkar go to www.udaybhawalkar.org
T.M. Mcomb of The Medieval Music & Arts Foundation (www.medieval.org) comments thus about a recording of Uday Bhawalkar.
This is an extremely compelling performance, with powerful command and a wide range of nuance. It was quite eye-opening to me, and shows
some of the ideas of Uday Bhawalkar's teacher Z.M. Dagar, yet in an overall style beginning to take on its own originality. Although not a Dagar
per se, Bhawalkar (taught by Z. Fariduddin Dagar after Z.M. Dagar's death) is extremely impressive here. Uday Bhawalkar (b.1966) certainly
makes one feel confident in the future of dhrupad, as he is obviously blessed with great talent.
been active in Spic Macay programs for over 16 years. His international career began in 1990 and has performed in Europe, USA, Canada and
Mexico including world music festivals in England (WOMAD) and Belgium (SFINKS). Uday has collaborated with artists from other disciplines
and cultures including the contemporary dancer Astad Deboo, Ensemble Moderne in Germany and professional musicians from Spain and
USA. Universities in Europe and USA have hosted his workshops. Additionally, he has contributed to the soundtracks of International Art films
including Mani Kaul’s Cloud Door, Arun Khopkar's "Rasik Priya-Lok Priya" Aparna Sen’s Mr & Mrs Iyer and Amol Palekar’s Anahat.
To know more about Dhrupad and Uday Bhawalkar go to www.udaybhawalkar.org
T.M. Mcomb of The Medieval Music & Arts Foundation (www.medieval.org) comments thus about a recording of Uday Bhawalkar.
This is an extremely compelling performance, with powerful command and a wide range of nuance. It was quite eye-opening to me, and shows
some of the ideas of Uday Bhawalkar's teacher Z.M. Dagar, yet in an overall style beginning to take on its own originality. Although not a Dagar
per se, Bhawalkar (taught by Z. Fariduddin Dagar after Z.M. Dagar's death) is extremely impressive here. Uday Bhawalkar (b.1966) certainly
makes one feel confident in the future of dhrupad, as he is obviously blessed with great talent.
Uday Bhawalkar - Dhrupad's new standard bearer
Uday Bhawalkar began studying music as a boy in Ujjain and longed to be a classical singer. At age 15 he was
selected to study at the Dhrupad Kendra in Bhopal. By 18, he began to realise the depth and potential of this style and
since then he has devoted himself to the development of the Dhrupad style. It has become his career and his life’s
purpose.
Uday lived and studied Dhrupad for 12 years in the guru-shishya parampara under Ustad Zia Fariduddin Dagar and the
Rudra-Veena Maestro Ustad Zia Mohiuddin Dagar in Bhopal and Mumbai. His long training with his Gurus in the
rigorous practice of Dhrupad helped Uday to appreciate the subtle nuances and majesty of this music.
Uday Bhawalkar began studying music as a boy in Ujjain and longed to be a classical singer. At age 15 he was
selected to study at the Dhrupad Kendra in Bhopal. By 18, he began to realise the depth and potential of this style and
since then he has devoted himself to the development of the Dhrupad style. It has become his career and his life’s
purpose.
Uday lived and studied Dhrupad for 12 years in the guru-shishya parampara under Ustad Zia Fariduddin Dagar and the
Rudra-Veena Maestro Ustad Zia Mohiuddin Dagar in Bhopal and Mumbai. His long training with his Gurus in the
rigorous practice of Dhrupad helped Uday to appreciate the subtle nuances and majesty of this music.
| Uday Bhawalkar: Raga Bageshri Manik Munde (Pakhawaj) CD# UB001 Duration: 58' 40" Live recording of concert at Wesleyan University, USA. Recording Date: 21st Sept 2002. Recording by Anil Navkal |
| ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| |||||||||||||||||||||||||||||||||||||||||||||||||||||||
| ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Cover image not available |
Uday Bhawalkar: Raga Yaman
Manik Munde (Pakhawaj)
Aniruddha Joshi & Chintan Upadhyay (Tanpuras)
CD# UB004
Duration: 74' 05"
Recording Date: 12th January 2006.
Recording Courtesy: C. K. Vissanji
Manik Munde (Pakhawaj)
Aniruddha Joshi & Chintan Upadhyay (Tanpuras)
CD# UB004
Duration: 74' 05"
Recording Date: 12th January 2006.
Recording Courtesy: C. K. Vissanji
| ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
9th March Purdue University.
10th March Lexington KY.
11th March Danville- Kentucky.
16th March MIT Boston.
17th March UPenn. Philadelphia.
18th March Gandhi Centre at Washington DC.
19th March Marathi Mandal Philadelphia .
10th March Lexington KY.
11th March Danville- Kentucky.
16th March MIT Boston.
17th March UPenn. Philadelphia.
18th March Gandhi Centre at Washington DC.
19th March Marathi Mandal Philadelphia .
11th April Urbana Champaign.
14th April Southbend, Indiana.
21th April Santa Cruz CA.
24th April Seattle at University of Washington.
28th April Seattle –Raga-Mala.
14th April Southbend, Indiana.
21th April Santa Cruz CA.
24th April Seattle at University of Washington.
28th April Seattle –Raga-Mala.
23th March Rochester NY.
24th March Orange CT.
25th March Albany NY.
31st March Portland.
1st April Corvallis
4th April Berkeley. CA.
6th April Stanford CA.
24th March Orange CT.
25th March Albany NY.
31st March Portland.
1st April Corvallis
4th April Berkeley. CA.
6th April Stanford CA.
| USA Concert Tour 2007 Schedule |